Group Exhibition "Navruz -2002"
2002 - Republican exhibition at the Academy of Arts of Uzbekistan "Navruz -2002" Central Exhibition Hall. Projects; «PROTOART», "Abode of the Sun", "Altar of the World". Art exhibition graphics and painting. Art installation "Temple of the Moon". Performance "Eastern Tale" with the participation of the choreographic theatrical group "The gates of knowledge"
Beauty contest "MISS FA" 2002
2002 — Beauty contest "MISS FA" Cultural complex "Zarafshan." Demonstration of Alagir's jewelry collection "Spirits of the Seas and Oceans" It was at this moment that the idea for the future project "Accessories of the People of the Sun" began to emerge.
Group Exhibition "Muykalam Malikalari" 2002
2002 – Republican exhibition at the Academy of Arts of Uzbekistan “Muykalam Malikalari,” Central Exhibition Hall.
Projects: "PROTOART," "Abode of the Sun," "Altar of the World." Art exhibition – graphics and painting. Art installation "Bungalow of the Leader." Performance "Kamlaniye of Birds," featuring the choreographic group "The Gates of Knowledge." The exhibition theme was dedicated to the traditions of North American peoples, presented through Yuliya Alagir's unique interpretation. Yuliya was inspired by the rich history of North American tribes, their culture, and philosophy, which emphasize harmony with the natural world and profound respect for nature. The central idea was to convey the philosophy of unity between humans and nature, highlighting their interconnectedness. Particular attention was given to the way of life of the Indigenous peoples of the Andes, who sought to maintain balance between human existence and nature, taking from it only what was necessary for survival while preserving its resources for future generations. Through her graphic and painted works, as well as the installation, Yuliya sought to express her admiration for these ancient traditions, reflecting their philosophy and deep connection to the environment. The performance "Kamlaniye of Birds" became the highlight of the exhibition, symbolizing the spiritual bond between earth and sky, humanity and nature. The choreographic staging, directed by Yuliya herself, depicted ancient rituals honoring nature and a spirit of freedom.
Projects: "PROTOART," "Abode of the Sun," "Altar of the World." Art exhibition – graphics and painting. Art installation "Bungalow of the Leader." Performance "Kamlaniye of Birds," featuring the choreographic group "The Gates of Knowledge." The exhibition theme was dedicated to the traditions of North American peoples, presented through Yuliya Alagir's unique interpretation. Yuliya was inspired by the rich history of North American tribes, their culture, and philosophy, which emphasize harmony with the natural world and profound respect for nature. The central idea was to convey the philosophy of unity between humans and nature, highlighting their interconnectedness. Particular attention was given to the way of life of the Indigenous peoples of the Andes, who sought to maintain balance between human existence and nature, taking from it only what was necessary for survival while preserving its resources for future generations. Through her graphic and painted works, as well as the installation, Yuliya sought to express her admiration for these ancient traditions, reflecting their philosophy and deep connection to the environment. The performance "Kamlaniye of Birds" became the highlight of the exhibition, symbolizing the spiritual bond between earth and sky, humanity and nature. The choreographic staging, directed by Yuliya herself, depicted ancient rituals honoring nature and a spirit of freedom.
Solo exhibition at the youth club "ArtPlace" 2001
2001 – Solo exhibition at the youth club "ArtPlace".
Art program "Mystery of the Sun" and projects: «PROTOART», "Abode of the Sun", "Altar of the World", "Accessories of the People of the Sun". Art exhibition – drawings, paintings. Art installation "Protovselennaya". Presentation of Alagir Art Jewelry Collection. Performance – theatrical and choreographic staging of "The Mystery of the Sun", with the participation of the choreographic theatrical group "Gates of Knowledge".
The exhibition’s theme globally revealed the artist’s intention to show the audience the ancient world and its philosophy. Everything was presented in a theatrical setup. The performance, as a mini-play, lasted 45 minutes, and the audience was truly mesmerized. Yuliya Alagir, being not only the creator and organizer but also the director, choreographer, and dance trainer, played all roles in creating this unique event. She embodied her creative concept by combining painting, dance, and theater, crafting a multi-layered and profound piece that immersed the audience in the philosophical atmosphere of ancient times. Special attention was paid to costumes and jewelry, which were not just decorative elements but also symbols. These pieces became an important part of the exhibition's conceptual framework and the performance. The jewelry, presented at the exhibition, was made using natural materials such as stone, metal, and leather, with vibrant symbols referencing ancient cultures and their beliefs. Each piece carried its own meaning, reflecting the philosophy of the sun, life, and energy. The costumes used in the performance harmoniously matched the exhibition's overall concept, creating an immersive effect of ancient times. They were designed with attention to detail, incorporating elements characteristic of ancient civilizations: natural fabrics, metal, and stone decorations. These costumes not only emphasized the symbolism of the work but also enhanced the connection to those eras when humans felt their inseparable bond with nature and the cosmos.
Art program "Mystery of the Sun" and projects: «PROTOART», "Abode of the Sun", "Altar of the World", "Accessories of the People of the Sun". Art exhibition – drawings, paintings. Art installation "Protovselennaya". Presentation of Alagir Art Jewelry Collection. Performance – theatrical and choreographic staging of "The Mystery of the Sun", with the participation of the choreographic theatrical group "Gates of Knowledge".
The exhibition’s theme globally revealed the artist’s intention to show the audience the ancient world and its philosophy. Everything was presented in a theatrical setup. The performance, as a mini-play, lasted 45 minutes, and the audience was truly mesmerized. Yuliya Alagir, being not only the creator and organizer but also the director, choreographer, and dance trainer, played all roles in creating this unique event. She embodied her creative concept by combining painting, dance, and theater, crafting a multi-layered and profound piece that immersed the audience in the philosophical atmosphere of ancient times. Special attention was paid to costumes and jewelry, which were not just decorative elements but also symbols. These pieces became an important part of the exhibition's conceptual framework and the performance. The jewelry, presented at the exhibition, was made using natural materials such as stone, metal, and leather, with vibrant symbols referencing ancient cultures and their beliefs. Each piece carried its own meaning, reflecting the philosophy of the sun, life, and energy. The costumes used in the performance harmoniously matched the exhibition's overall concept, creating an immersive effect of ancient times. They were designed with attention to detail, incorporating elements characteristic of ancient civilizations: natural fabrics, metal, and stone decorations. These costumes not only emphasized the symbolism of the work but also enhanced the connection to those eras when humans felt their inseparable bond with nature and the cosmos.
Solo exhibition "Mystery of the Sun". Art Hall- LAVANDERIA .2001
2001 – Solo Exhibition "Mystery of the Sun". Art Hall – LAVANDERIA. The exhibition featured the projects «PROTOART» and "Abode of the Sun," showcasing works of drawing and painting. The central theme of the exhibition was dedicated to ancient life and proto-cultures, focusing on how early humans sourced food, interacted with nature, and sought to understand their surroundings. Yuliya Alagir’s artworks explored the human connection with natural forces, humanity’s dependence on the elements, and the attempts to comprehend the world through symbols and imagery. The exhibition attracted a diverse audience who shared positive feedback, engaged in discussions with the artist, and discovered a new artistic direction—conceptual symbolism—merging profound philosophy with primal instincts.
2001 Solo exhibition at the hotel "SHERATON"
2001 – Solo exhibition at the hotel "SHERATON". The solo exhibition showcased the projects «PROTOART» and "Abode of the Sun" featuring artwork in drawing and painting. Guests were deeply impressed by the originality of the presented works and expressed highly positive feedback. The exhibition became a platform for engaging discussions between the visitors and the artist, allowing for an exchange of ideas and perspectives. Many attendees were fascinated by Yuliya Alagir’s innovative approach to conceptual symbolism, which revealed new dimensions in art and explored profound connections between humanity and the natural world.
This event not only introduced the audience to a fresh artistic direction but also sparked meaningful dialogue about the intersection of tradition and innovation, leaving a lasting impression on art connoisseurs and collectors alike.
This event not only introduced the audience to a fresh artistic direction but also sparked meaningful dialogue about the intersection of tradition and innovation, leaving a lasting impression on art connoisseurs and collectors alike.
Member of the Creative Union of Artists under the Academy of Arts of Uzbekistan (Youth Section).
On April 27, 2001, Yuliya Alagir became a Member of the Creative Union of Artists under the Academy of Arts of Uzbekistan (Youth Section).By that time, she had already participated in 13 group exhibitions, each of which presented a completely new perspective on art to the audience.Her unique innovative direction "Mystery of the Sun", realized in the genre of conceptual symbolism, became a true phenomenon in the artistic community. This direction combines profound symbolism, powerful energy, and the philosophy of ancient civilizations inspired by the Sun as a source of life, light, and power. Yuliya Alagir's works were characterized by brightness, emotional intensity, and subtle intellectual provocation. Her art not only amazed the viewers with its scale and depth but also became a source of admiration among leading figures in the art world. It was precisely because of this that she received recommendations for joining the creative union from prominent masters of art in Uzbekistan, further confirming her high professional level and the significance of her contribution to contemporary art.
Recommendations for joining the Creative Union were provided by:
In the photo is Tursunali Karimovich Kuziev, Uzbek state and public figure, artist, educator, and photographer. Honored Artist of the Republic of Uzbekistan, Academician, Professor. At that time, he was the President of the Academy of Arts of Uzbekistan and Chairman of the Creative Union of Artists of the Republic of Uzbekistan.
Recommendations for joining the Creative Union were provided by:
- Ruzy Charyevich Charyev — Honored Artist and People's Artist of the Uzbek SSR (1987), Academician of the Academy of Arts of Uzbekistan, master of painting, and brilliant colorist.
- Engel Izimovich Iskhakov — Renowned graphic artist, member of the Board of the Union of Artists of Uzbekistan, and director of the graphics section (at that time).
- Akmal Voxobjonovich Nuriddinov — People's Artist of Uzbekistan, Academician, President of the Academy of Arts of Uzbekistan, Honorary Foreign Member of the Russian Academy of Arts.
- Damir Salidjanovich Ruzybaev — Uzbek sculptor, painter, graphic artist, Honored Artist of the Uzbek SSR.
- Bayat Mukhtarov — Uzbek sculptor and artist of the avant-garde movement.
In the photo is Tursunali Karimovich Kuziev, Uzbek state and public figure, artist, educator, and photographer. Honored Artist of the Republic of Uzbekistan, Academician, Professor. At that time, he was the President of the Academy of Arts of Uzbekistan and Chairman of the Creative Union of Artists of the Republic of Uzbekistan.
Group Exhibition "Navruz 2001"
2001 -Republican Exhibition at the Academy of Arts of Uzbekistan "Navruz 2001" Central Exhibition Hall For the first time, the artwork "Cosmogony" was presented, showcasing an innovative vision in the genre of conceptual symbolism and contemporary art. This piece embodies the essence of Yuliya Alagir's artistic direction, "Mystery of the Sun" blending profound philosophical themes with an innovative approach to visual storytelling.
"Cosmogony" captivated audiences with its vivid energy, intricate symbolism, and depth, leaving an indelible impression on art critics, collectors, and members of the creative community. The work received numerous positive reviews and was highly praised for its ability to merge ancient cosmic ideas with modern artistic expression.
"Cosmogony" captivated audiences with its vivid energy, intricate symbolism, and depth, leaving an indelible impression on art critics, collectors, and members of the creative community. The work received numerous positive reviews and was highly praised for its ability to merge ancient cosmic ideas with modern artistic expression.
New Project: “Accessories of the People of the Sun”
2001- As part of her main art program, “Mystery of the Sun”, Yuliya Alagir launched a new project titled “Accessories of the People of the Sun”. This groundbreaking endeavor explored the genre of unconventional jewelry art, aiming to recreate the symbolism of chest ornaments crafted from natural materials while conveying their mythological and sacred meanings.
Yuliya sought to immerse her audience in the era of the Paleolithic and early Archaic periods when humanity deeply revered totem animals, tree guardians, and other natural symbols. These elements were believed to embody divine protection and serve as spiritual safeguards in the ancient world. For instance, in early human cultures, ornaments made of bone, wood, stone, or shells not only served as decoration but also carried profound ritualistic and symbolic significance. They reflected beliefs in supernatural forces, connections to ancestors, and reverence for natural phenomena that were vital for survival.
The project’s concept revolved around exploring the “Ideology of Symbolism in Ancient Ornaments and Accessories of Ethnic Groups from Various Countries and Peoples”. Inspiration for these art objects was drawn not only from archaeological discoveries but also from folklore, ethnographic studies, and myths about the sacred role of ornaments. Yuliya Alagir’s project did not merely replicate elements of ancient cultures but reinterpreted them through the lens of contemporary art, inviting viewers to reflect on timeless values and the meaning of humanity’s interaction with the natural world.
This project embodies the philosophical idea that art has the power to bridge the past and the present, unveiling the mysteries of ancient civilizations through the symbolism and potent energy of their ornaments.
Yuliya sought to immerse her audience in the era of the Paleolithic and early Archaic periods when humanity deeply revered totem animals, tree guardians, and other natural symbols. These elements were believed to embody divine protection and serve as spiritual safeguards in the ancient world. For instance, in early human cultures, ornaments made of bone, wood, stone, or shells not only served as decoration but also carried profound ritualistic and symbolic significance. They reflected beliefs in supernatural forces, connections to ancestors, and reverence for natural phenomena that were vital for survival.
The project’s concept revolved around exploring the “Ideology of Symbolism in Ancient Ornaments and Accessories of Ethnic Groups from Various Countries and Peoples”. Inspiration for these art objects was drawn not only from archaeological discoveries but also from folklore, ethnographic studies, and myths about the sacred role of ornaments. Yuliya Alagir’s project did not merely replicate elements of ancient cultures but reinterpreted them through the lens of contemporary art, inviting viewers to reflect on timeless values and the meaning of humanity’s interaction with the natural world.
This project embodies the philosophical idea that art has the power to bridge the past and the present, unveiling the mysteries of ancient civilizations through the symbolism and potent energy of their ornaments.
Republican Exhibition “Man and Nature 2000”
2000-Republican Exhibition “Man and Nature 2000,” Central Exhibition Hall
As part of this exhibition, Yuliya Alagir presented her unique project “Abode of the Sun”, which forms part of her main art program “Mystery of the Sun.” The project’s exhibition featured works of conceptual symbolism and contemporary art, dedicated to the theme “The Evolution of the Human Spirit.”
The project immersed viewers in the realm of sacred knowledge and ancient conceptions of the creation of the world. Through her artwork, Yuliya Alagir revealed the profound philosophy of symbolism, illustrating how humanity has contemplated its connection to the universe over centuries, employing symbols that reflect ideas of the sky, earth, and cosmos.
At the heart of the exhibition was the theme of the celestial body — the Sun — revered since ancient times as the source of life, light, and spiritual power.Yuliya Alagir’s works conveyed this universal connection, exploring how perceptions of the Sun and its role in the creation of the world shaped the worldview of ancient civilizations. Each painting reflected the depth and subtlety of the artist’s vision, expressed through intricate compositions, a rich color palette, and the use of multilayered textures.
As part of this exhibition, Yuliya Alagir presented her unique project “Abode of the Sun”, which forms part of her main art program “Mystery of the Sun.” The project’s exhibition featured works of conceptual symbolism and contemporary art, dedicated to the theme “The Evolution of the Human Spirit.”
The project immersed viewers in the realm of sacred knowledge and ancient conceptions of the creation of the world. Through her artwork, Yuliya Alagir revealed the profound philosophy of symbolism, illustrating how humanity has contemplated its connection to the universe over centuries, employing symbols that reflect ideas of the sky, earth, and cosmos.
At the heart of the exhibition was the theme of the celestial body — the Sun — revered since ancient times as the source of life, light, and spiritual power.Yuliya Alagir’s works conveyed this universal connection, exploring how perceptions of the Sun and its role in the creation of the world shaped the worldview of ancient civilizations. Each painting reflected the depth and subtlety of the artist’s vision, expressed through intricate compositions, a rich color palette, and the use of multilayered textures.
Republican Exhibition "ENG ULUG, ENG AZIZ 2000"
2000-Republican Exhibition "ENG ULUG, ENG AZIZ 2000," Central Exhibition Hall
As part of the Republican exhibition dedicated to Uzbekistan's Independence Day, Yuliya Alagir presented her project "Abode of the Sun," a key component of her authorial direction, "Mystery of the Sun."
The project featured:
As part of the Republican exhibition dedicated to Uzbekistan's Independence Day, Yuliya Alagir presented her project "Abode of the Sun," a key component of her authorial direction, "Mystery of the Sun."
The project featured:
- A series of artworks titled "Union of Two Forces"
- An art installation titled "The Path."
New collection AMRO-BANK
In 2000, during a friendly meeting with representatives of AMRO-BANK, the creative work of Yuliya Alagir was highly praised and received positive feedback. The bank's representatives emphasized the deep originality of her approach, as well as the art that combines ancient symbols with modern concepts. AMRO-BANK's gallery acquired a collection of twelve paintings created as part of the "PROTOART" project, which is part of the "Mystery of the Sun" art direction. These works immediately caught attention for their uniqueness and bold approach to the materials used—target clay sourced from ecologically clean areas of Uzbekistan, dried under the sun, which, as a symbol of light and life, perfectly suited the project. The natural origin of the material added an extra layer of meaning to the paintings, reflecting the profound connection between humanity and nature’s forces. The symbols depicted on the canvases were created using dried clay, which gave them a special texture and a sense of ancientness. The surface of these paintings was not smooth, but full of cracks, as if nature itself had left its marks. These cracks, formed by the sun’s influence, turned into ornamental patterns, creating unique designs that harmonized with the depicted symbols. Each of these cracks, resulting from the sun’s impact, became a visual reflection of life's processes, the cyclical nature of the world, and its unpredictability. This was not just an artistic technique, but a deep interaction with natural forces, where nature itself, through its element—the sun—participated in creating ornaments infused with ancient meanings.
The method of execution, combining tradition and innovation, became a vivid example of the "PROTOART" philosophy, where natural elements are used to create art, and the deep connection between humanity and the natural world is expressed. It was this uniqueness of execution, the merging of ancient symbolism with modern conceptual philosophy, and the use of natural materials that allowed Yuliya Alagir's works to stand out and become a valuable acquisition for the AMRO-BANK gallery collection.
The method of execution, combining tradition and innovation, became a vivid example of the "PROTOART" philosophy, where natural elements are used to create art, and the deep connection between humanity and the natural world is expressed. It was this uniqueness of execution, the merging of ancient symbolism with modern conceptual philosophy, and the use of natural materials that allowed Yuliya Alagir's works to stand out and become a valuable acquisition for the AMRO-BANK gallery collection.
Republican Exhibition “NOVOKIRON UZBEKISTAN - 2000”
June 18, 2000 – Republican Exhibition “NOVOKIRON UZBEKISTAN - 2000”
Central Exhibition Hall. With the sponsorship of the consulting company “SINTO”, key projects by Yuliya Alagir were presented at the “NOVOKIRON UZBEKISTAN - 2000” exhibition, becoming part of her original art direction “Mystery of the Sun”. The exhibition was a harmonious blend of art and philosophy, exploring the symbolism of the Sun through contemporary artistic forms. Among the works presented at the exhibition were those that delved into profound conceptual themes, including “Antagonism of Dualities”, an art exposition where the artist revealed through visual imagery the interaction of opposites: light and darkness, life and death, the material and the spiritual. These works aimed to provide the viewer with an opportunity to contemplate the interconnection of opposing forces present in the world. Particular attention was given to the art installation “Gates to Perfection”, which created a space for deep reflection on humanity’s path, its development, and its quest for harmony. Through this installation, Yuliya Alagir invited viewers to reflect on processes of change and the search for inner balance. The highlight of the exhibition was the performance-dance “Hymn to the Sun” — an author’s stylized dance piece designed to express the strength and energy of the Sun as a universal source of inspiration and life force. This performance was executed by the choreographic group “Gates to Knowledge” and embodied the symbolism of time and nature's cycles through dance, filled with vibrant dynamics and philosophical imagery.. The concept of the entire project was centered around the “Revival and development of the culture of multi-national festivals dedicated to the Sun and the Spring Equinox”, symbolizing renewal, balance, and the connection between various peoples and nature, while emphasizing the importance of sunlight as a force that influences all living things. Yuliya Alagir’s project offered a contemporary interpretation of ancient themes, demonstrating their relevance within the context of modern art and creating space for reflection on timeless values and human essence.
Central Exhibition Hall. With the sponsorship of the consulting company “SINTO”, key projects by Yuliya Alagir were presented at the “NOVOKIRON UZBEKISTAN - 2000” exhibition, becoming part of her original art direction “Mystery of the Sun”. The exhibition was a harmonious blend of art and philosophy, exploring the symbolism of the Sun through contemporary artistic forms. Among the works presented at the exhibition were those that delved into profound conceptual themes, including “Antagonism of Dualities”, an art exposition where the artist revealed through visual imagery the interaction of opposites: light and darkness, life and death, the material and the spiritual. These works aimed to provide the viewer with an opportunity to contemplate the interconnection of opposing forces present in the world. Particular attention was given to the art installation “Gates to Perfection”, which created a space for deep reflection on humanity’s path, its development, and its quest for harmony. Through this installation, Yuliya Alagir invited viewers to reflect on processes of change and the search for inner balance. The highlight of the exhibition was the performance-dance “Hymn to the Sun” — an author’s stylized dance piece designed to express the strength and energy of the Sun as a universal source of inspiration and life force. This performance was executed by the choreographic group “Gates to Knowledge” and embodied the symbolism of time and nature's cycles through dance, filled with vibrant dynamics and philosophical imagery.. The concept of the entire project was centered around the “Revival and development of the culture of multi-national festivals dedicated to the Sun and the Spring Equinox”, symbolizing renewal, balance, and the connection between various peoples and nature, while emphasizing the importance of sunlight as a force that influences all living things. Yuliya Alagir’s project offered a contemporary interpretation of ancient themes, demonstrating their relevance within the context of modern art and creating space for reflection on timeless values and human essence.
Republican Exhibition "Man and Nature 2000"
In June 2000, the republican exhibition "Man and Nature 2000" was held at the Central Exhibition Hall, where the projects "Altar of Light," "Abode of the Sun," and "PROTOART" by Yuliya Alagir were presented. In this exhibition, the artist explored the theme of light and fire as symbols of good and truth, as well as their sacred significance in ancient cultures. In her works, fire and light become not just symbols, but important elements embodying struggle and harmony. In the installation "Solar Deities," Yuliya incorporated elements related to the cult of fire, emphasizing its sacred meaning and role as a source of life and truth. The mesmerizing aesthetics of fire used in the works imbued the paintings and installations with special meaning, transforming them into philosophical reflections on eternal values and spiritual quests. The project was highly praised by Honored Academician, People's Artist of the Uzbek SSR, and Academician of the Academy of Arts of Uzbekistan, Ruzy Charyevich Charyev. On the photo are presented Ruzy Charyev and Engel Iskhakov.
Republican Exhibition "Art of Design 2000"
2000 -- Republican Exhibition "Art of Design 2000," Central Exhibition Hall. As part of the exhibition, Yuliya Alagir presented the subproject "EcoDesign." The project featured a series of paintings created using natural materials. These works were not only an aesthetic expression but also a profound philosophical statement about the harmony between humanity and nature. Through her art, Yuliya Alagir sought to combine ecological materials with symbolism. Each piece not only utilized natural elements but also transformed them into carriers of a significant idea — the need for a respectful relationship with nature and inner balance. The natural materials in her works became symbols of resilience and connection to the world, reflecting the pursuit of harmony and environmental preservation.
Catalog of the National Bank of Uzbekistan
In 2000, the National Bank of Uzbekistan acquired a collection of paintings by Yuliya Alagir dedicated to "Ethnography and Symbolism of Central Asia." These works became an integral part of the "PROTOART" project, which explores the deep connections between humans and the primal forces of nature. The presentation of the VII art catalog, which included Yuliya Alagir's paintings, took place at the head office of the NBU in Tashkent.
In her works, Yuliya Alagir used elements symbolizing the inseparable connection between humans and the natural world — animal feathers, fossilized elements, decorative motifs, and abstract symbols reminiscent of primordial forces. These paintings express the idea of human vulnerability to the elements and the instability of human existence in this powerful and unyielding world of nature. The artist turns to the images of primitive people who not only recognized their dependence on nature but also respected its power. These works reflect on life in its primal form, when humans saw the world as a living, majestic, and unpredictable force, with their place in it uncertain and ever-changing.
The "PROTOART" project received recognition and sparked interest among art critics, becoming an important part of the National Bank of Uzbekistan's collection.
In her works, Yuliya Alagir used elements symbolizing the inseparable connection between humans and the natural world — animal feathers, fossilized elements, decorative motifs, and abstract symbols reminiscent of primordial forces. These paintings express the idea of human vulnerability to the elements and the instability of human existence in this powerful and unyielding world of nature. The artist turns to the images of primitive people who not only recognized their dependence on nature but also respected its power. These works reflect on life in its primal form, when humans saw the world as a living, majestic, and unpredictable force, with their place in it uncertain and ever-changing.
The "PROTOART" project received recognition and sparked interest among art critics, becoming an important part of the National Bank of Uzbekistan's collection.
Republican Exhibition "Navruz-2000"
In 2000, the National Exhibition Hall hosted the republican exhibition "Navruz-2000," dedicated to the spring holiday of Navruz. Within the framework of the exhibition, Yuliya Alagir presented her projects: "Abode of the Sun," "PROTOART," and "Altar of Light," which are part of her main art direction "Mystery of the Sun." The exhibition included paintings and the installation "Proto-universe." This installation amazed art critics and visitors with its unique concept and execution. At the center of the installation were heavy logs, resembling a portal, symbolizing the transition from primitive consciousness to humanity's understanding of the surrounding world. On the round core, symbols were depicted that created a cosmogenic image. These signs were made from clay, sun-dried, giving them a special texture and an atmosphere of ancient times. The entire exhibition seemed to transport the viewers to the distant past, to the Paleolithic era when humans were beginning to realize their connection to nature and the world. It was a time of harsh survival, when every action was driven by necessity, and symbols, similar to rock engravings, became the first signs of communication with the world. Yuliya Alagir’s work in this installation created a space in which viewers could feel this primal connection, the depth of humanity’s striving to understand the world through images and symbols.
The project, by immersing the audience in the atmosphere of a distant time, not only conveyed the spirit of the era but also made one reflect on the eternal questions of humanity, on the beginning of its journey into the world of symbols and the understanding of its place in the boundless nature.
The project, by immersing the audience in the atmosphere of a distant time, not only conveyed the spirit of the era but also made one reflect on the eternal questions of humanity, on the beginning of its journey into the world of symbols and the understanding of its place in the boundless nature.
Turning Point: The Meeting of Ruzy Charyev and Yuliya Alagir
In 2000, during a friendly meeting and introduction to the works of Yuliya Alagir, the renowned People's Artist and Honorary Academician of Uzbekistan,
Ruzy Charyevich Charyev, expressed admiration for her creations, highlighting her exceptional talent and innovative approach. His keen attention to the nuances of her work allowed him not only to recognize the depth and multi-layered nature of her pieces but also to appreciate their impact on the development of art in Uzbekistan. Ruzy Charyev, with his vast experience and deep knowledge in the field of art, noted that Yuliya Alagir’s creativity holds such originality and significance that it deserves recognition not only in Uzbekistan but on the global stage as well. His support and high regard became an important step in Yuliya's career, providing confidence and strength for further achievements. Inspired by her outstanding contribution to art, Ruzy Charyev provided recommendations for her membership in the Creative Union of Artists of the Academy of Arts of Uzbekistan, marking a significant moment in her professional growth. These recommendations affirmed the high evaluation of her artistic work and enhanced her position within the art community. Collaboration with such an esteemed figure as Ruzy Charyev allowed Yuliya Alagir to gain recognition not only in the Uzbek but also in the international art world. His support played a pivotal role in her subsequent successes as an artist, highlighting her unique approach to art and her ability to create works that profoundly reflect cultural and philosophical ideas. The photo features Yuliya Alagir, Honorary Academician of the Arts of Uzbekistan Ruzy Charyev, and Doctor of Historical Sciences Gennady Mikhailovich Mikhailov
Ruzy Charyevich Charyev, expressed admiration for her creations, highlighting her exceptional talent and innovative approach. His keen attention to the nuances of her work allowed him not only to recognize the depth and multi-layered nature of her pieces but also to appreciate their impact on the development of art in Uzbekistan. Ruzy Charyev, with his vast experience and deep knowledge in the field of art, noted that Yuliya Alagir’s creativity holds such originality and significance that it deserves recognition not only in Uzbekistan but on the global stage as well. His support and high regard became an important step in Yuliya's career, providing confidence and strength for further achievements. Inspired by her outstanding contribution to art, Ruzy Charyev provided recommendations for her membership in the Creative Union of Artists of the Academy of Arts of Uzbekistan, marking a significant moment in her professional growth. These recommendations affirmed the high evaluation of her artistic work and enhanced her position within the art community. Collaboration with such an esteemed figure as Ruzy Charyev allowed Yuliya Alagir to gain recognition not only in the Uzbek but also in the international art world. His support played a pivotal role in her subsequent successes as an artist, highlighting her unique approach to art and her ability to create works that profoundly reflect cultural and philosophical ideas. The photo features Yuliya Alagir, Honorary Academician of the Arts of Uzbekistan Ruzy Charyev, and Doctor of Historical Sciences Gennady Mikhailovich Mikhailov
Four Installations, Altar of Eternity project
In 1999, inspired by the work of Engel Ishakov, a member of the Academy of Arts of Uzbekistan, who was deeply immersed in philosophy and passionate about proto-cultures, Yuliya Alagir began her own creative experiments in exploring this direction. Delving into the themes of ancient archaic structures, she sought to understand the sacred principles underlying the architecture and spiritual practices of ancient civilizations. Driven by ideas of the synthesis of art and nature, Yuliya created around four installations, which were displayed at the Artisans' Workshop Grounds of the Academy of Arts of Uzbekistan. These installations, made from raw marble stone blocks, logs, branches, and foliage, also incorporated elements of the animal world: skins, horns, and bones, which added a unique depth and connection to primordial nature. All of Yuliya's works were imbued with sacred meaning. They represented an attempt to reveal the unity of humankind and the cosmogonic understanding of the Universe, in which humans are part of the great cosmic order. These installations symbolized not only a connection with nature but also with the profound knowledge embedded in the architecture of ancient cults, based on the interaction between man, nature, and the cosmos.
Yuliya aimed to show how ancient structures and their forms, utilizing the principles of sacred geometry, could become a powerful tool for restoring spiritual connections with the past and understanding one's role in the world. Her works became an important step in revealing the concept of "places of power," which could awaken in viewers an awareness of this connection to the cosmos.
Yuliya aimed to show how ancient structures and their forms, utilizing the principles of sacred geometry, could become a powerful tool for restoring spiritual connections with the past and understanding one's role in the world. Her works became an important step in revealing the concept of "places of power," which could awaken in viewers an awareness of this connection to the cosmos.
New Project:"Altar of Eternity"
In 1999, Yuliya Alagir came up with the idea to create a new project called "Altar of Eternity". At that time, she was deeply immersed in the genre of art installations, which allowed her to explore and express her thoughts through forms and materials that went beyond traditional art. One of the sources of inspiration for her project was Iskhakov Engel Izimovich, whose works and philosophical ideas deeply affected Yuliya, encouraging her to delve further into sacred themes and ancient cultures. Additionally, Yuliya had always been interested in the history and study of megalithic structures, such as Stonehenge, as well as other sacred objects and stelae used by ancient civilizations for spiritual purposes. These places, with their unique geometric forms and connections to nature and the cosmos, inspired her to create installations that explore themes of human spirituality, connection to nature, and the universe. Yuliya studied the philosophical and sacred meanings embedded in these ancient structures, seeking to understand how such archaeological monuments could embody profound knowledge about the world and humanity, passed down through the ages. Her works in the "Altar of Eternity" project reveal these ideas, combining ancient symbols and forms with contemporary perceptions, creating unique installations that symbolize the connection between humanity and the cosmos and its role in this grand cosmic order.