In 2024, The Art of Yuliya Alagir in the Context of Uzbekistan's Cultural Heritage: Zoroastrianism and the Ritual Dance Museum of Fire-Worshippers Lazgi, and the Museum of Contemporary Art of Uzbekistan (CAMUZ), Khorezm Region, Urgench, Uzbekistan.
| yuliya_alagirs_art_in_the_context_of_uzbekistans_cultural_heritage.pdf |
In 2024, The Art of Yuliya Alagir in the Context of Uzbekistan's Cultural Heritage: Directorate of Art Exhibitions at the Academy of Arts of Uzbekistan, Tashkent, Uzbekistan.
Artists. Museums. Donors" Exhibition of new acquisitions donated to the Directorate of Art Exhibitions 2009-2019
In 2019, Uzbekistan celebrated National Museum Day, showcasing the works of artists who generously donated their art pieces to museums. Among these contributors was Yuliya Alagir, who donated a collection of her works and an art installation titled "Temple of the Sun" from her project "Altar of Eternity," part of her original direction "Mystery of the Sun." This installation has been exhibited multiple times in the Main Hall of the Academy of Arts of Uzbekistan and was also showcased at the 5th Tashkent International Biennale of Contemporary Art in 2009, for which Yuliya Alagir received an award.
Alagir's contribution to National Museum Day highlighted her commitment to supporting cultural institutions and sharing her artistic vision with a broader audience. By donating her collection and art installation, she not only enriched the museum's collection but also contributed to the cultural heritage and artistic dialogue within the community.
The photo shows Lyudmila Khodzhi-Murzaevna Kodzaeva, an art historian, Honored Cultural Worker of Uzbekistan, and a member of the creative association under the Academy of Arts of Uzbekistan, at the opening ceremony in the Central Hall of the Exhibition Center.
Alagir's contribution to National Museum Day highlighted her commitment to supporting cultural institutions and sharing her artistic vision with a broader audience. By donating her collection and art installation, she not only enriched the museum's collection but also contributed to the cultural heritage and artistic dialogue within the community.
The photo shows Lyudmila Khodzhi-Murzaevna Kodzaeva, an art historian, Honored Cultural Worker of Uzbekistan, and a member of the creative association under the Academy of Arts of Uzbekistan, at the opening ceremony in the Central Hall of the Exhibition Center.
Game-Changer: Alagir Court's Copyright Victory Sets Legal Precedent
In 2010, a significant court case took place in Tashkent concerning the protection of intellectual property in the art sector, with Yuliya Alagir’s painting
"Vessel of the Highlands" at the heart of the dispute. This case attracted attention from both the professional art community and the general public, setting a precedent for the protection of intellectual property rights in Uzbekistan’s artistic field.
Yuliya Alagir filed a lawsuit after her painting "Vessel of the Highlands", created in response to the tragic events in Beslan, was reproduced in print media and used for advertising purposes without her consent. The tragedy, which occurred on September 1, 2004, profoundly impacted Alagir, whose roots lie in North Ossetia. The loss, particularly of children, made it a moral responsibility for her to preserve their memory. The unauthorized use of her painting not only infringed her copyright but also misrepresented the work, which was created as a tribute to the victims and a reminder of the importance of life protection.
The trial was handled by the experienced and well-known lawyer Zhebrak I.R., who represented Alagir’s interests with professionalism. The case involved multiple defendants, adding complexity to the proceedings. The primary objective was to secure justice in this case while establishing a legal precedent to enhance the protection of artists' rights, maintaining a fair balance with legal norms.
At the final hearing, Vladimir Ivanovich Burmakin, one of Uzbekistan’s leading artists and acting vice president of the Union of Artists of Uzbekistan, expressed his support for Alagir’s position. Burmakin V.I. highlighted the need for intellectual property and artists' rights protection to become a priority for the entire art community. He noted that several of Yuliya Alagir’s works are part of the State Art Fund of Uzbekistan, valued alongside works by other renowned artists. The Fund houses around 17,000 pieces. Burmakin V.I. stressed the importance of enforcing copyright laws and holding violators accountable to prevent future infringements. His statements resonated widely among artists and legal professionals, making this case an important turning point in legal practice.
The government of Uzbekistan showed a high level of commitment to intellectual property protection. The court ruling affirmed that "Vessel of the Highlands" had been used unlawfully, underscoring the need to safeguard authors' rights in the art sector. This case set a significant legal precedent, reinforcing intellectual property laws in Uzbekistan and affirming the importance of protecting artists' rights. The trial marked a critical step toward the development of copyright protection practices, demonstrating the country's commitment to justice and respect for intellectual property.
About the Painting "Vessel of the Highlands" (11.07.2005)
The painting "Vessel of the Highlands" was created by Yuliya Alagir in response to the tragic events of September 1, 2004, in Beslan, where a terrorist attack on a school claimed over 300 lives, including 186 children. This devastating loss became a symbol of the fragility and value of children's lives. With roots in North Ossetia, Yuliya felt a profound connection to the people of this land and sought to express her sorrow through art.
The painting reflects the importance of preserving memory, faith in the future, and cultural heritage despite hardship. The "vessel" serves as a powerful symbol of humanity itself, emphasizing the preciousness of human existence.
This work became a significant milestone in Yuliya’s artistic journey and a catalyst for the further development of her Mystery of the Sun art direction. In her art, the Sun is more than just a celestial body—it represents life energy, hope, protection, and resilience, illuminating even the darkest moments in history and reminding us to cherish life.
Thus, the court case, the process of creating the painting, and its concept highlight the importance of protecting intellectual property rights and the role of art in preserving memory, spiritual values, and emotions.
"Vessel of the Highlands" at the heart of the dispute. This case attracted attention from both the professional art community and the general public, setting a precedent for the protection of intellectual property rights in Uzbekistan’s artistic field.
Yuliya Alagir filed a lawsuit after her painting "Vessel of the Highlands", created in response to the tragic events in Beslan, was reproduced in print media and used for advertising purposes without her consent. The tragedy, which occurred on September 1, 2004, profoundly impacted Alagir, whose roots lie in North Ossetia. The loss, particularly of children, made it a moral responsibility for her to preserve their memory. The unauthorized use of her painting not only infringed her copyright but also misrepresented the work, which was created as a tribute to the victims and a reminder of the importance of life protection.
The trial was handled by the experienced and well-known lawyer Zhebrak I.R., who represented Alagir’s interests with professionalism. The case involved multiple defendants, adding complexity to the proceedings. The primary objective was to secure justice in this case while establishing a legal precedent to enhance the protection of artists' rights, maintaining a fair balance with legal norms.
At the final hearing, Vladimir Ivanovich Burmakin, one of Uzbekistan’s leading artists and acting vice president of the Union of Artists of Uzbekistan, expressed his support for Alagir’s position. Burmakin V.I. highlighted the need for intellectual property and artists' rights protection to become a priority for the entire art community. He noted that several of Yuliya Alagir’s works are part of the State Art Fund of Uzbekistan, valued alongside works by other renowned artists. The Fund houses around 17,000 pieces. Burmakin V.I. stressed the importance of enforcing copyright laws and holding violators accountable to prevent future infringements. His statements resonated widely among artists and legal professionals, making this case an important turning point in legal practice.
The government of Uzbekistan showed a high level of commitment to intellectual property protection. The court ruling affirmed that "Vessel of the Highlands" had been used unlawfully, underscoring the need to safeguard authors' rights in the art sector. This case set a significant legal precedent, reinforcing intellectual property laws in Uzbekistan and affirming the importance of protecting artists' rights. The trial marked a critical step toward the development of copyright protection practices, demonstrating the country's commitment to justice and respect for intellectual property.
About the Painting "Vessel of the Highlands" (11.07.2005)
The painting "Vessel of the Highlands" was created by Yuliya Alagir in response to the tragic events of September 1, 2004, in Beslan, where a terrorist attack on a school claimed over 300 lives, including 186 children. This devastating loss became a symbol of the fragility and value of children's lives. With roots in North Ossetia, Yuliya felt a profound connection to the people of this land and sought to express her sorrow through art.
The painting reflects the importance of preserving memory, faith in the future, and cultural heritage despite hardship. The "vessel" serves as a powerful symbol of humanity itself, emphasizing the preciousness of human existence.
This work became a significant milestone in Yuliya’s artistic journey and a catalyst for the further development of her Mystery of the Sun art direction. In her art, the Sun is more than just a celestial body—it represents life energy, hope, protection, and resilience, illuminating even the darkest moments in history and reminding us to cherish life.
Thus, the court case, the process of creating the painting, and its concept highlight the importance of protecting intellectual property rights and the role of art in preserving memory, spiritual values, and emotions.
| russian_version_of_the_article._game-changer_alagir_courts_copyright_victory_sets_legal_precedent.pdf |
Member of the Creative Union of Artists under the Academy of Arts of Uzbekistan
(Adult Section)
May 2008 marked a significant milestone in the artistic journey of Yuliya Alagir. During a meeting of the admissions commission members at the Academy of Arts of Uzbekistan, a decision was made to include her in the adult section of the graphic arts division. This event was accompanied by lively discussions, centered on the fact that Yuliya was entirely self-taught in art, without formal academic education in the field. However, her striking talent and impressive portfolio, which began to take shape as early as 2001, left no doubts among the majority of attendees. Over the years of her active artistic career, Yuliya participated in numerous group exhibitions and festivals, including international ones. This experience highlighted her versatility and courage in exploring her own artistic language. The decision to accept her into the creative association of artists under the Academy of Arts of Uzbekistan became a symbol of recognition of her mastery and unique approach to creativity. This turning point not only affirmed the value of self-education but also demonstrated that a talented individual, overcoming academic constraints, can reach great heights by relying on personal experimentation, intuition, and a sincere drive for self-expression. Yuliya Alagir's journey has shown that self-education is not merely an alternative to traditional training but, at times, the key to creating truly original art. Her voyage into the art world serves as an example of how genuine passion, creative freedom, and continuous experimentation enable an artist to transcend conventional boundaries and discover new horizons. Yuliya Alagir was recognized as a natural talent, an artist whose work speaks for itself. Her path is proof that the absence of formal education can become an advantage, allowing an artist to develop freely, find their own style, and create works that inspire and amaze.
- Damir Urazaev — Graphic artist, member of the Academy of Arts of the Republic of Uzbekistan, member of the International Federation of Artists of UNESCO, Honored Artist of the International Association "Art of the Peoples of the World."
- Marat Faizievich Sadykov — Graphic artist, Honored Artist of Uzbekistan, Academician of the Academy of Arts of Uzbekistan.
- Sobir G'afurovich Rahmetov-- Active People's Artist of Uzbekistan, Academician of the Academy of Arts of Uzbekistan.
| recommendations.pdf |
Member of the Creative Union of Artists under the Academy of Arts of Uzbekistan
(Youth Section)
(Youth Section)
On April 27, 2001, Yuliya Alagir became a Member of the Creative Union of Artists under the Academy of Arts of Uzbekistan (Youth Section).By that time, she had already participated in 13 group exhibitions, each of which presented a completely new perspective on art to the audience.Her unique innovative direction "Mystery of the Sun", realized in the genre of conceptual symbolism, became a true phenomenon in the artistic community. This direction combines profound symbolism, powerful energy, and the philosophy of ancient civilizations inspired by the Sun as a source of life, light, and power. Yuliya Alagir's works were characterized by brightness, emotional intensity, and subtle intellectual provocation. Her art not only amazed the viewers with its scale and depth but also became a source of admiration among leading figures in the art world. It was precisely because of this that she received recommendations for joining the creative union from prominent masters of art in Uzbekistan, further confirming her high professional level and the significance of her contribution to contemporary art.
Recommendations for joining the Creative Union were provided by:
In the photo is Tursunali Karimovich Kuziev, Uzbek state and public figure, artist, educator, and photographer. Honored Artist of the Republic of Uzbekistan, Academician, Professor. At that time, he was the President of the Academy of Arts of Uzbekistan and Chairman of the Creative Union of Artists of the Republic of Uzbekistan.
Recommendations for joining the Creative Union were provided by:
- Ruzy Charyevich Charyev — Honored Artist and People's Artist of the Uzbek SSR (1987), Academician of the Academy of Arts of Uzbekistan, master of painting, and brilliant colorist.
- Engel Izimovich Iskhakov — Renowned graphic artist, member of the Board of the Union of Artists of Uzbekistan, and director of the graphics section (at that time).
- Akmal Voxobjonovich Nuriddinov — People's Artist of Uzbekistan, Academician, President of the Academy of Arts of Uzbekistan, Honorary Foreign Member of the Russian Academy of Arts.
- Damir Salidjanovich Ruzybaev — Uzbek sculptor, painter, graphic artist, Honored Artist of the Uzbek SSR.
- Bayat Mukhtarov — Uzbek sculptor and artist of the avant-garde movement.
In the photo is Tursunali Karimovich Kuziev, Uzbek state and public figure, artist, educator, and photographer. Honored Artist of the Republic of Uzbekistan, Academician, Professor. At that time, he was the President of the Academy of Arts of Uzbekistan and Chairman of the Creative Union of Artists of the Republic of Uzbekistan.
| recommendation_by_ruza_charyev.pdf |
Turning Point: The Meeting of Ruzy Charyev and Yuliya Alagir
"How art unites generations and inspires new heights"
"How art unites generations and inspires new heights"
In 2000, during a friendly meeting and introduction to the works of Yuliya Alagir, the renowned People's Artist and Honorary Academician of Uzbekistan,
Ruzy Charyevich Charyev, expressed admiration for her creations, highlighting her exceptional talent and innovative approach. His keen attention to the nuances of her work allowed him not only to recognize the depth and multi-layered nature of her pieces but also to appreciate their impact on the development of art in Uzbekistan. Ruzy Charyev, with his vast experience and deep knowledge in the field of art, noted that Yuliya Alagir’s creativity holds such originality and significance that it deserves recognition not only in Uzbekistan but on the global stage as well. His support and high regard became an important step in Yuliya's career, providing confidence and strength for further achievements. Inspired by her outstanding contribution to art, Ruzy Charyev provided recommendations for her membership in the Creative Union of Artists of the Academy of Arts of Uzbekistan, marking a significant moment in her professional growth. These recommendations affirmed the high evaluation of her artistic work and enhanced her position within the art community. Collaboration with such an esteemed figure as Ruzy Charyev allowed Yuliya Alagir to gain recognition not only in the Uzbek but also in the international art world. His support played a pivotal role in her subsequent successes as an artist, highlighting her unique approach to art and her ability to create works that profoundly reflect cultural and philosophical ideas. The photo features Yuliya Alagir, Honorary Academician of the Arts of Uzbekistan Ruzy Charyev, and Doctor of Historical Sciences Gennady Mikhailovich Mikhailov.
Ruzy Charyevich Charyev, expressed admiration for her creations, highlighting her exceptional talent and innovative approach. His keen attention to the nuances of her work allowed him not only to recognize the depth and multi-layered nature of her pieces but also to appreciate their impact on the development of art in Uzbekistan. Ruzy Charyev, with his vast experience and deep knowledge in the field of art, noted that Yuliya Alagir’s creativity holds such originality and significance that it deserves recognition not only in Uzbekistan but on the global stage as well. His support and high regard became an important step in Yuliya's career, providing confidence and strength for further achievements. Inspired by her outstanding contribution to art, Ruzy Charyev provided recommendations for her membership in the Creative Union of Artists of the Academy of Arts of Uzbekistan, marking a significant moment in her professional growth. These recommendations affirmed the high evaluation of her artistic work and enhanced her position within the art community. Collaboration with such an esteemed figure as Ruzy Charyev allowed Yuliya Alagir to gain recognition not only in the Uzbek but also in the international art world. His support played a pivotal role in her subsequent successes as an artist, highlighting her unique approach to art and her ability to create works that profoundly reflect cultural and philosophical ideas. The photo features Yuliya Alagir, Honorary Academician of the Arts of Uzbekistan Ruzy Charyev, and Doctor of Historical Sciences Gennady Mikhailovich Mikhailov.
A Destiny-Shaping Meeting – Engel Izimovich Iskhakov & Yuliya Alagir
1999 – A fateful meeting took place between Yuliya Alagir and Engel Izimovich Iskhakov, an honored artist of the Academy of Arts of Uzbekistan. This moment radically changed her life, as art burst forth, becoming her true path. During this time, Engel Izimovich introduced her to his artistic movement, SAMART, based on conceptual symbolism. His research explored the philosophical foundations of proto-cultures, including the heritage of ancient Uralic peoples. These discussions had a profound impact on Yuliya Alagir, revealing new dimensions of the sacred meaning within ancient cultural layers. They became a crucial foundation for the development of her own artistic direction, "Mystery of the Sun." Later, her participation in exhibitions of symbolist artists at the Academy of Arts of Uzbekistan was discussed, marking a significant milestone in her creative journey.
